Economical storytelling and an admirable sense of invention power Marcus Dunstan’s oddly welcome sequel to The Collector.
Ocean of Pearls is, underneath the gross sentimentality, racist and shameless, and it might be dangerous if it weren't so forgettable and on-the-nose.
Last weekend marked a dubious footnote in movie history.
John Gulager’s gleefully gory horror movie is a far cry from inspired.
The war between America and the Middle East is in full metaphoric force in Vadim Perelman’s ridiculous eviction melodrama.