The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
The film may be the first to find a sweet spot between Dumb and Dumber and a nature doc.
Damsel ends up feeling like a festival-land breakout comedy short dragged out for two interminable hours.
David Zellner’s film settles firmly into the perspective of a lost soul who finds solace in the swaddling security of fantasy.
This paean to cinema, and to the kindness of strangers, curdles into miserablism.
Its main character’s moral predicament with a woman inside a pit becomes a muddle of confused symbolism and trite psychoanalysis.