Not since Robert Altman’s Nashville has an American film felt as real as life itself.
Like other entities branded “too big too fail,” Nashville threatens to collapse under the weight of its poor investments.
I’ll sidestep the usual throat-clearing about the thought process behind my all-time 10-best-movies list.
Creating this fantasy Sight & Sound ballot felt as much like excavation as photography.
Eons ago, while still in high school, I composed a list of my all-time favorite films for the first time.
Robert Altman’s Nashville is one of those rare films that feels more timely, more relevant, the more time goes by.
Suddenly, the Oscar race is being headlined by a pair of uncompromising, boldly conceived pieces of formalism.
Political satires are plentiful, but I didn’t want to get overloaded with them so many worthy films missed the cut.