Morgan Neville’s documentary understands that Anthony Bourdain’s gifts and curses were cojoined.
Morgan Neville understands Orson Welles’s art to pivot on an ongoing quest to bring about self-destruction so as to contrive to transcend it.
It unpacks the seemingly simple yet surprisingly radical methodology employed by Fred Rogers throughout his career.
It resonates as a portrait of artists trying to figure out their own paths toward making valuable contributions to the world.
Robert Gordon and Morgan Neville reinforce the very circumstances they outwardly condemn.
Brett Morgen distinguishes the biographical documentary by viewing himself as more of a curator than a film director.
Oscar’s documentary lineup typically constitutes the black sheep-iest of the award show’s 24 races, but this year’s crop of nominees is less odd, less disreputable, than usual.
This joyous doc leaves us wanting to immediately seek out the incredible, sometimes unfamiliar music we’ve just heard.
The most impacting thing True/False does every year is its True Life Fund.
Troubadours cedes to the real villain of any lazy story set in this period: cocaine.
Its focus on the scene at the expense of individuals ultimately results in a documentary that doesn’t rise above the functional.