On the occasion of Elemental’s release, here’s our ranking of every Pixar feature to date.
The robbers in The Bling Ring aren’t the professionals scripted by John Huston, W.R. Burnett, and Ben Maddow in The Asphalt Jungle
From the beginning, the anxiety of the loss of family has been central to Pixar.
The physical boundaries of Red’s Dream and Knick Knack would be transformed into a more metaphysical form for Toy Story.
Pixar’s weak depiction of people is well illuminated by their anthropomorphism of inanimate objects.
Among the certainties in the world of film criticism, there’s one that stands above all others.
Pixar has somehow gone from a well-liked animation studio to the last, best hope of the Hollywood studio system.
Pixar’s best flare like comets: beautiful, bright, unforgettable.