The film gets a gorgeous new UHD presentation that you can really sink your teeth into.
Martin Campbell’s film never shakes off its familiarity, and as such seems destined to, well, be lost to public memory.
The newest release of Christophe Gans’s cult film will leave you howling for something better.
Art, commerce, and immigration are inextricably bound in this playful and gently moving film.
David Lynch has always conjured up his disorienting and disturbing narratives according to an intuitive dream logic.
A beautiful presentation of a film that merges the tropes of the 007 series with a startlingly expressive aesthetic.
There’s much to admire here, from its symbolically sickly aesthetic to its clearly shot action sequences.
It mixes the mundane with the absurd to create a sometimes fabulous tale that always feels palpably real.
If there’s one thing that’s genuinely surprising about Philippe Garrel’s new film it’s the lack of feverish urgency that its title promises.
Almayer’s Folly is a work of engulfing jungles and rivers, vehement and incantatory speeches, and piercing female gazes in front of and behind the camera.
Larysa Kondracki’s film is a grim muckraking docudrama of sex trafficking in postwar Bosnia.
There’s no logic here that can’t be, and mostly isn’t, made up on the spot, a concept that will likely appeal to real-life 10 year olds but irk everyone else.
Getting worked up over Shoot ‘Em Up’s excessive bloodshed is playing right into its hands.
As its title implies, The Big Question investigates life’s most monumental spiritual issues.
Strictly for little piggies with houses made of straw.
In Terry Gilliam’s phantasmagoric cosmos, the earthly and the imaginary coexist in semi-harmony.
What is infibulation?
Spike, get a clue.
I’ll say it again: Isn’t this more or less a teaser for the inevitable DVD package containing all three films?
The media circus surrounding Mel Gibson’s The Passion of the Christ threatens to overwhelm the movie itself.