We have no doubt that we’ll be miffed by how some of these categories shake out on Sunday night.
Glancing over this year’s Emmy nominations is to marvel again at just how much the television landscape has changed in 20 years.
Believe it or not, we know exactly what’s going to happen at Sunday’s Golden Globe Awards.
It appears to have finally arrived at the depressing and predictable low point toward which it’s been trending for the past two years.
TV better than movies? Not really, but at least television will let you see Michael Douglas stroking Matt Damon’s leg hair.
If Basinger’s methodological means lack revelation, they’re compensated through several canny observations, mostly related to on-screen personas.
Modern Family announces itself as the rightful heir to Arrested Development’s bejeweled throne.
The writers of Modern Family are beginning to rely too heavily on stunt episodes and celebrity cameos.
On September 18, Bryan Cranston will not win his fourth trophy for Outstanding Lead Actor in a Drama Series.
Understanding Screenwriting #69: Barney’s Version, The Dilemma, Modern Family, & More
Great actors in great scenes do not necessarily a great movie make.
Modern Family manages to be warm and heartfelt without making you sick to your stomach.
Will Emmy finally and mercifully annul its relationship to 30 Rock?
Understanding Screenwriting #35: Cloudy with a Chance of Meatballs, Bright Star, & More
I suspect that the children’s book this is based on is probably a charmer, and I can see why kids would love it.
The show combines some of the ironic stylings of Arrested Development with the sentimentalism of more traditional family sitcoms.
Understanding Screenwriting #34: Jennifer’s Body, Paris, Art & Copy, We’re Not Married!, The Good Wife, & More
Not one of the Mistress’s finest, but amusing.