In its new iteration, Under the Radar, which runs through January 21, hasn’t missed a step.
Dosa discusses her connection to Katia and Maurice Krafft as filmmakers and people and how the film has shaped her thinking of time.
The film confidently oscillates between the playfully on the nose and the existentially profound.
The multihyphenate artist discusses why the medium she wants to work in comes before her ideas.
Although its crime-caper structure is worn extremely lightly, Kajillionaire represents Miranda July’s first real flirtation with genre.
This release is cause enough to introduce a new generation to the sure-to-be-eternal concept of pooping back and forth, forever.
Josephine Decker is a dazzling artist, most notably for her commitment to everything that drives her characters.
What kind of Hamish Linklater fan you are likely depends on what kind of entertainment you take in the most.
When it comes to Julie Delpy, the key question remains the old Barbra Streisand one.
In the end, it’s relentless shoulder-shrugging pessimism more than misguided quirk that sinks the project.
Who else knows what we’ve been fighting over better than B. Ruby Rich?
Opening night arrived with one of the least memorable films of recent memory.
Director Lynn Hershman Leeson introduces us only superficially to her dozens of pioneering friends.
The drinks that go down amiably in Hahaha get caught in people’s throats in On Tour.
Multimedia artist at heart, and generous almost to a fault, Miranda July is continually folding the audience into her diagram.