Thelma & Louise is a legitimately unique rethinking of genre structure.
The dearth of extras make this release feel like a missed opportunity.
The film is Quentin Tarantino’s magnum opus, a sweeping statement on an entire generation of American popular culture.
The premise of the film is simple, but it’s a simplicity that can only attract complications.
Brett Morgen distinguishes the biographical documentary by viewing himself as more of a curator than a film director.
Raro’s excellent A/V transfer resuscitates a forgotten gem of 1980s cinema, an interpretive horror film from an unpredictable filmmaker.
The selection of films at this year’s Santa Fe Independent Film Festival was arguably as piquant as any of the local chile-centric food.
In compiling my Top 10 film list, I tried to avoid obvious choices based on general consensus.
Loosies seems to mostly exist as an opportunity for Peter Facinelli, a longtime character actor, to assume the center stage.
Scott has always had a certain reticence to embrace the urgency of the current day.
The invisible danger of nuclear waste becomes palpably apparent in Madsen’s filmmaking.
The film that brings Tarantino’s magnum opus full circle emotionally and thematically gets its definitive release-visually, at least.
It may have been too much movie for standard DVD, but not so for this Blu-ray release.
This wannabe badass biker flick plays like a Kill Bill–Death Proof hybrid minus the genre-deconstruction angle.
Vanishing without a trace is always a promise and a threat in Olivier Assayas’s films.
Horror fans should definitely take a walk down Mulberry Street and choose carefully among the rest.
The film is scary all right, usually for all the wrong reasons.
The Scary Movie franchise seems well on its way to becoming as indestructible as Jason Voorhees or Freddy Krueger.
BloodRayne ably continues Uwe Boll’s indisputable reign as the worst filmmaker on the planet.
Fans of the film may want to save their allowance money and wait for the inevitable two-disc edition.