Time Out New York has just published its picks and blurbs for the top 50 films of the decade.
Michael Mann’s films tell the kinds of stories that writing gurus love because they can be summed up in a single sentence.
I think everyone has their personal daydream canon.
We just came through a pretty tumultuous year for movies, and for the media and the entertainment industry in general.
Though a good many of us might like to think otherwise, a critic is not a prognosticator.
The film materializes and soars out of a splendiferous, almost sci-fi ether.
Where Bob Fosse edited to the dance, Michael Mann edits to the music underscoring his glossy depictions of extreme violence.
Even when it was bad, it was great.