Review: Paterson

Paterson’s sunny aesthetic and disposition marks a stylistic departure for writer-director Jim Jarmusch.

Review: The Cobbler

It evinces no interest in the people who come into Max’s store and wind up as fodder for his increasingly violent and self-absorbed escapades.

Review: The Sitter

David Gordon Green’s latest could fool you into thinking it was written, shot, and edited in the same week, so lazy and unrefined are its narrative and construction.

Review: The Wackness

It delivers a rather predictable indie coming-of-age narrative, and Levine’s music video-ish sentimentality doesn’t help alleviate such familiarity.