Bone Tomahawk is skittish about its racism, self-conscious in a manner reminiscent of Django Unchained.
The zombies twitch, leap, gnash, and destroy, but the film has all the thrill and surprise of a model U.N. summit.
From the animated to the animalistic, the perfect to the perverse, this list is one royally diverse bunch.
Peter Webber’s historical drama is blunt about its stylistic ambitions while at the same time failing to meet them, and the effect is one of sad ineffectuality.
Alex Cross comes to theaters with the distinct timbre of a merger rather than a singular entertainment.
Of course Jack wouldn’t hurt Hurley. Lindlelof and Cuse don’t want to lose even more good will with their audience.
Lost recognizes culture, particularly pop culture, as the primary means for understanding the world today.
It’s all falling into place in a lot of fun ways, most particularly with this new Locke, or as I am going to call him from here on, Dark Locke, after his Man-in-Black heritage.
Although possessing far less than a hatchful of extra features, this is still a DVD set you’d want to take with you to that proverbial desert isle.
Lost is a show fairly obsessed by notions of duality.
The episode plays less like an individual segment of the show and more like a long prelude to the two-hour finale.
The more we get to know the people who are behind the scenes on Lost, the more we realize just how much our point-of-view characters are looking in on a battle they will never really understand.
Father issues are to the Lost flashback what cancer is to a diagnosis on House.
Michael Emerson maybe has the trickiest part to play on Lost.
What is the formula that drives most TV series but a pleasant form of inevitability.
The constantly dilating timeline of Lost continually forces the viewer to recalibrate what they’ve already experienced.
One of the things that makes “Namaste” so much fun is the way it convolutes itself within the timeline we’ve already seen.
Let us now sing the praises of Josh Holloway and Elizabeth Mitchell.
The structure of “Life and Death” is pretty predictable once you get into the swing of it.
For the first time this season, we feel completely stymied by Lost.