Van Sant’s 1995 satirical black comedy receives a gorgeous video transfer from Criterion.
Anderson moves even closer to cultural curation and further from sustained storytelling.
John McNaughton’s sun-soaked neo-noir gets a sensuous update from Arrow Video.
Every scene is virtually self-contained, and so Capone feels as if it’s starting all over again from frame to frame.
This Blu-ray should help boost the film to its rightful place among the upper tier of von Trier’s body of work.
The film falls back on a reductive rumination on the balance between maternal obligation and career aspiration.
Lars von Trier’s film is about the ways of responding to art without the boundaries of morality and reason.
One of Francis Ford Coppola’s most underrated and deeply felt films receives a gorgeously ephemeral restoration.
No one in Zach Braff’s Going in Style seems to really know what the hell they’re doing or why.
An energetic but paper-thin genre exercise, filled with pleasant riffs on the standard heist flick, but ultimately lacking in payoff.
Shari Springer Berman and Robert Pulcini’s dismal, D-grade sitcom isn’t fit to lick the boots of Whit Stillman’s four films.
Wayne Kramer thankfully refuses to cloak his excessiveness in hedge-betting self-consciousness and the result is a gratifyingly disreputable B-movie blow out.
The film distinguishes itself as an often affecting look at two people just trying to get by.
Toronto International Film Festival 2012: Shari Springer Berman and Robert Pulcini’s Imogene
Imogene sounds like it was written by somebody who has never heard a single real-world conversation.
One selection here is so indelible that its wearer spawned the name for a whole style of ’stache.
The film’s plot is more or less Heat crossed with the corporate-fratboy hijinks of Entourage.
Armored displays Nimrod Antal’s characteristic emphasis on his characters rather than the situations into which they’re thrust.
Old Dogs is a series of sub-sitcom sequences designed to destroy any affection once felt for John Travolta and Robin Williams.
Rod Lurie’s focus is on lean, intelligent storytelling, while keeping his righteous anger worked seamlessly into plotting and character development.
A first-time watcher of The Outsiders could easily follow and appreciate the plot without having to listen to the dialogue.