Review: Unsane

Even Unsane’s most ridiculous moments coast on the sheer energy of Steven Soderbergh’s aesthetic gamesmanship.

Review: Suburbicon

Everyone in George Clooney’s film is a bastard, worthy of being shot, stabbed, blown up, or poisoned with lye.

Review: Downsizing

Payne’s defenders might call his often acidic touch Swiftian, though it comes off more toothlessly noncommittal.

Review: Jason Bourne

Where Paul Greengrass’s action sequences were once visceral and intentionally unpleasant, now they just titillate.

Review: Interstellar

Christopher Nolan’s goal seems to be to take the humor and wildness out of imagination, to see invention in rigidly practical and scientific terms.

Review: The Zero Theorem

The film rehashes the same few superficial humanist/socialist platitudes over and over again, with such reliability as to nurture our complacency.

Review: Elysium

Neill Blomkamp strides closer to the muscular, subversive genre terrain of Carpenter and Verhoeven.

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