Freak Show helps to confirm an unofficial rule about the series at large: The more a season actively utilizes its chosen setting, the better it is.
“Bullseye” sports a tempo that’s decidedly slow, obsessive, and damn near ponderous for Freak Show.
Beyond the forthright identity politics and titillating theatrical misdemeanors, one still comes away wondering about the things that remain concealed.
Niko von Glasow makes the right choice to not merely make yet another corporate-crimes documentary.