We Are the Flesh evokes human desire, unfettered by social mores, as the supreme expression of all the world’s evil.
Nagisa Oshima’s satire on capital punishment and its racist application has lost none of its relevance.
The festival is a place for encountering first-time visions as well as catching up with established artists.
Interest in the work of the legendary “pink” film director has been resuscitated since his most recent film.
An eye-opening set for anyone who knows Nagisa Oshima only through his 1970s erotic corridas.