The film refrains from any dubious moral calculations by giving King’s personal deceptions the same weight as his public morality.
Chief among the film’s beauties is the simplicity of the setting itself.
The film is beautifully shot, art-directed, and costumed, with shades of “Vogue,” “Die Another Day,” and more evident throughout.
Katori Hall ’s work is remarkable for her keen ear for wisecracks and irreverent, self-deprecating humor.
By now you’ve seen the video and heard the outrage.
White gays and lesbians have both benefited and suffered from living in the shadows.
In many ways, the 1960s set the stage for our more recent history.