If technology ever was apolitical, those days are long gone.
There were Eisenbergs, Gyllenhaals, and doppelganger-centered film adaptations galore at Toronto.
What she declares about her craft is, thus far, the most telling element of the ever-chugging Beyoncé train.
When it comes to film editing, marveling at how rhythmically one shot feeds another is hardly sufficient in predicting an Oscar winner.
Moneyball confronts co-writer Aaron Sorkin with a milieu in which he has trouble being putatively witty.
Just as Fincher’s films process the world through computers, we process our world through computer screens too.