It isn’t so much about “the end of cinema” as it is about the people who abuse the medium and their subjects for their own political agenda.
Corneliu Porumboiu’s The Second Game is a fine example of an impulse toward meta-narrative that has recently reinvigorated the nonfiction form.
As a kind of “festival of festivals,” the Viennale is one of the most esteemed fixtures in the world-cinema circuit.
Les Coquillettes has a lot in common with the prolific Hong Sang-soo’s leisurely lacerating character studies.
Serra provides an essentially ambient experience from the platform of Christian myth.