The film’s gleeful disregard for good taste is undermined at every turn by characters spouting gratuitous backstory.
The finale invites us to inquire into our own motives for wanting to revisit the series.
The latest episode of Twin Peaks is a delirious descent into the murky matrix of material existence.
The episode uses David Lynch’s abiding preoccupation with mirror imagery as an often subtle structural device.
We might expect it to end on the performance, as each episode has until now, but Lynch throws us a curveball.
The episode’s emotional epicenter is Bobby Briggs, now white-haired and working as a deputy for the department.
The first two episodes of the new season are largely preoccupied with sowing the seeds for later developments.
Stop sawing logs, this is the definitive Twin Peaks DVD box set.
The film strains not for classical pop mythology but, instead, frivolous FX-laden adventure.
Some may complain that his work is too esoteric, but it’s unsettling, because it it’s more familiar than we’d like to admit.
Chris Evans may not win an Oscar for his performance in Fantastic Four, but I see an AVN award in his future.
From down-home Christian horror to Disney?
The end result is a wasted opportunity to breathe fresh life into the Marvel universe’s long-stodgy elder statesmen.