In conjunction with the release of Priscilla, we ranked Sofia Coppola’s films.
In David Adjmi’s satirical Marie Antoinette, the titular royal doesn’t start using her head until she’s in danger of losing it.
Coppola’s fascination with the young and over-privileged reaches a logical plateau with The Bling Ring.
It’s really all about those lenses, through which you’re left dying to peer.
So it is that the one year we didn’t stick to our frilliest-always-wins guns here, we came up short.
One of this season’s hottest tickets is a site-specific theater piece entitled Elective Affinities.
Here are the films with images that shifted around most in my mind throughout the aughts.
The Academy has shown great resistance to awarding costumes without corsets.