It initially suggests a low-rent blend of a Polanski class parable with a relationship drama in the key of Malcolm D. Lee.
The characters are so clichéd that episodes begin to feel like dramatizations of TV Tropes entries.
Give me the first Hellboy any day, but it’s always fun to see the new creatures del Toro comes up with for his netherworlds.
Guillermo del Toro’s movies represent an exploration of the possibilities of narrative and the imagination.
Adolescent pulp fantasia meets sentimental married life in Guillermo del Toro’s follow-up to his 2004 working-class superhero movie.
The Ghosts of Christmas Past, Showtime, and Taxi seemingly haunt every shot of the film.