Eugene O’Neill’s play isn’t about all of us, as much as this production might lean into the allure of universality.
This production is shadelessly lit for much of its runtime, evoking the drama’s openness, or at least its frankness.
When it comes to The Lady from Dubuque, “perhaps” is the operative word.
One could argue that the drastic transformation is the point.
Haunted might have benefited from more claustrophobic surroundings.
Long Day’s Journey Into Night began my own long journey into Stockwell’s entire career.