An honest tearjerker that treats its characters with respect, according them a great sense of wounded, tattered dignity.
I was moved by Requiem for a Dream, but boy, has he ever made me regret that initial feeling of enthusiasm.
The film plays like a pilot episode for a new Showtime series, but it’s a heartfelt and well-acted sitcom nonetheless.
If there were a cinematic equivalent of the Great American Novel, The Kids Are All Right would be a contender.
Lisa Cholodenko is one of the more radical visionaries working in American indie cinema today.
The final farewell to a television masterpiece.
Laurel Canyon will make you wish that your mother liked to smoked pot.
Laurel Canyon’s most infuriating quality is that it telegraphs where it’s going in about 10 minutes.