For the record, sound mixing is the sort of umbrella sound category, whereas sound editing represents the “special effects” angle of movie sonics.
The film has limited mass appeal, and what Clint Eastwood brings this time out is more a deft shepherding of others’ talents than a showcasing of his own.
Formally, Kelly Reichardt’s fourth feature is some kind of masterpiece.
Anyone who has followed this year’s Oscar race for Best Picture knows that the stats above are not meant as a joke.
It’s too bad the guild award that most strongly corresponds with this category—the Motion Picture Sound Editors’ “Golden Reel”—doesn’t get handed out until Feb. 24.
We’re now seeing a variety of films borne of the sentiments of our own time.
Appropriately enough, we begin our Oscar prediction coverage by exorcising the foul demon spirit of Paul Haggis.
The Oscar nominations were announced this morning by AMPAS president Sid Ganis and actress Salma Hayek.
Oscar trends continue to have shorter and shorter shelf lives as the award season calendar continues to pork up.
The stink of Crash hovers over Flags of Our Fathers.