Two twists on the typical range of possibilities for the musical theater writing process are playing out in two recent musicals.
Silverman discusses her current production and her relatively new foray into the world of musicals.
Luckily for Tom Kitt, he was in his dorm room when opportunity knocked.
The show’s big statement about The Way We Live Now feels a bit expected, more of a foregone conclusion than a hypothesis under consideration.
The California-born playwright, now 54, has become one of the preeminent Asian-American voices in the theater.