The work must be partially faulted for being almost completely irrespective of cinema as a medium-specific mode of expression.
In terms of demographics, Dario Argento is clearly intended as a text for both newcomers and knowledgeable fans alike.
Greven’s analysis is fluid and detailed, while excavating exhilarating thematic linkages between all filmmakers.
Throughout, Morgan depends on readers to maintain pace with his seemingly ad hoc critical mode.
Shut Up and Play the Hits dances around the fact that LCD Soundsytem was essentially a solo act.
Who else knows what we’ve been fighting over better than B. Ruby Rich?