Arbelos’s restoration is so gorgeous that the film’s seven and a half hours slip by as smoothly as Tarr’s majestic long takes.
The Turin Horse is a cyclical fable of daily drudgery that strips human life to its barest elements and banalities.
It sees Béla Tarr’s notoriously slow-roving camera-eye taking in the murder-and-money intrigue of a dark, unspecified port city.
The Man From London is a multifaceted apotheosis.