Review: Faults

Riley Stearns’s film obliquely addresses its narrative mysteries through the conversational cracks of two people in enforced proximity.

Review: John Wick

The film has a tendency to embrace the action genre’s more obnoxious elements, but there’s a proudly no-nonsense air to its nonsensicality.

Review: White House Down

Roland Emmerich makes love of country into a thing of unabashed hokum, which bleeds through every nook of this overstuffed jumble and leaves no character untouched.