Homeland has once again assumed its place as television’s sharpest appraisal of the War on Terror.
In short, Homeland functions as a closed system in which American might fosters radical resistance.
“Halfway to a Donut” is the most focused episode of Homeland so far this season.
For all the sound and fury it expends to propel this season’s narrative in new directions, “Redux” sends Homeland hurtling into history.
Tonight’s episode of Homeland ably frames its accelerating narrative as a clash between competing intelligence agencies.
Tonight’s episode of Homeland transforms the laborious setup of “Shalwar Kameez” into a precipitous cascade of new developments.
“Shalwar Kameez” is a story in three smiles: one knowing, one exhilarated, and one conspiratorial.
The reset that follows Nicolas Brody’s death in Iran at the end of season three may save Homeland from ignominy.
Anja Marquardt feels the need to puff up her film with relatively artificial conflict that generally comes off as sops to screenwriting conventions.
Steven Soderbergh’s self-professed final film, Side Effects, has reason to resemble a feature-length drug commercial.
When it comes to The Lady from Dubuque, “perhaps” is the operative word.
The meaning of its title is a mystery, but then, so are many things in Brooks Branch’s film.
A Broken Sole is a bad movie, worse theater.
Jailbait seems only interested in expounding upon the familiar horrors of lock-up.
Things That Hang From Trees offers a slice of special education-tinged Southern gothic minus the evocative eccentricity.