Bodies fly, heads explode, and video game logic reigns triumphant.
Arrow’s lavish UHD release makes a strong case for a reappraisal of David Lynch’s film maudit.
The actor discusses his urge to utilize the happy accidents that can bring a scene to life.
A profound sense of restlessness and loneliness haunts Michael Almereyda’s film, which reinvigorates the biopic genre.
Every scene is virtually self-contained, and so Capone feels as if it’s starting all over again from frame to frame.
Criterion offers what should prove to be a definitive transfer of a pivotal and still overwhelmingly intimate David Lynch film.
Keith Behrman’s film is intent on delivering a nuanced take on expectations surrounding sexuality.
Steven Soderbergh’s film considers modern media as a vehicle for revising white patriarchal capitalism.
By the end, The House with a Clock in Its Walls completely loses sight of the trauma and grief that was meant to give the film its emotional core.
Lynch’s misunderstood film receives a transformative restoration that brings its tarnished beauty to life.
The finale invites us to inquire into our own motives for wanting to revisit the series.
The latest episode of Twin Peaks is most remarkable for its numerous arrivals and departures.
In the latest episode, David Lynch implicates his audience in Twin Peaks’s unfolding dream.
David Lynch has always conjured up his disorienting and disturbing narratives according to an intuitive dream logic.
A damn good slice of cherry pie plays a pivotal role in several storylines from the latest episode.
Even apologists for deep-seated perversity will have a tough time justifying long stretches of the latest episode.
The episode divides its time between domestic drama, overarching mythology, and seriocomic pop surrealism.
As of the latest episode of Twin Peaks: The Return suggests, the darkness seems to be winning.
The episode’s frequent matched pairs and expository repetitions seem to draw attention to themselves.
The latest episode of Twin Peaks is a delirious descent into the murky matrix of material existence.