The Criterion Collection has brought Wes Anderson’s biggest commercial success it into their high-definition stable with great aplomb.
Cahill and co-writer Brit Marling struggle in vain to foreground the thematic significance of their film’s novel main conceit.
To make a case against psychoanalytic self-help, one need look no further than RevoLOUtion.
Bomb the System captures the addictive, renegade spirit of urban graffiti writing even as it falters in its attempts to legitimize the illegal activity.