This dire remake’s script is often a word-for-word recitation of the first film.
These Academy members possess an elementary school understanding of art, where films operate in a purely denotative register.
Stop-Loss is as much about the war in Iraq as it is about making movies-and like its kin, it isn’t any good.
That Stop-Loss wears its generally good intentions on its camo sleeve doesn’t keep it from being consigned to the missed-opportunity file.
Kirby Dick’s documentary is a Molotov cocktail leveled against the Jack Valenti-led MPAA.