Review: The Darkness

The Darkness is so listless that one can’t even work up a proper head of self-righteous steam over the spooky Native American clichés that drive the plot.

Review: Cop Car

The narrative derives much of its tension from the unsentimental ambivalence Jon Watts displays toward the story’s two pre-teen boys.

Review: Super

This is the bleak, crazy, postmodern superhero saga that Kick-Ass aspired to be, which doesn’t prevent it from being sluggish, derivative, and beyond obvious.