No Oscar category has become as big a flash point among cinephiles as the cinematography prize.
I have to make a screening so this has to be a short one. Insert acknowledgement of the double entendre.
Even the trip to Long Island where we were shooting our scenes felt a little traumatic.
When the history of intellectual property law is written, January 12, 2009, should be marked as a decisive moment.
In conjunction with the Museum of the Moving Image’s symposium on HBO’s The Wire, the museum commissioned a series of video essays for its online magazine.
Changes afoot at The House, as I’m sure you’ve noticed.
Well, this week we address the letting go of Nathan Lee and some of our favorite—ok, the Zodiac one—articles he’s penned.