The film portrays mental illness with all the nuance and insight of Jared Leto in Suicide Squad.
The Nut Job 2’s episodic plot is little more than a clothesline on which to hang manic action sequences.
The truly depressing thing about a thriller as undercoocked as this is its failure to fly on dark fantasy.
Tolerance in the film doesn’t so much suggest a recognizably real epiphany as it does a moving Hallmark card.
It comes undone in its clumsy attempts to transform its story into a parable of economic distress.
The show holds out the promise of a solid, if unspectacular, network procedural, but it’s ultimately as banal and imprecise as its title.
This, sadly, is the kind of kid’s movie that spends time trying to squeeze blood out of the rock that is “Gangnam Style.”
Crossing Delancey is unafraid of its ethnicity and its New York City flavor.
The Big Wedding couldn’t possibly be more square.
The twisted minds at Lionsgate really outdid themselves with the poaster for What to Expect When You’re Expecting.
It would appear that one of the biggest challenges facing movies with huge, starry casts is getting all the actors together to shoot the poster image.
You could go nuts with the double entendres associated with One for the Money, beginning, of course, with the film’s title.
The film is a predictably insufferable, self-congratulatory cash cow designed to be ingested and then happily discharged without a second thought.
As innocuous as it is, the well executed, well-meaning Life As We Know It is full of isn’t-this-charming moments.
Killers is borderline thoughtful in its consideration of how we define ourselves in the present despite the past.
At least the charmingly brittle chemistry between leads Katherine Heigl and Gerard Butler keeps things moving pleasurably enough along.
27 Dresses is ultimately nothing more than a slightly above-average rom-com whose gears and wheels turn with predictable precision.
The ridiculous amount of extras packed into this two-disc DVD expand on the film’s humor to unprecedented degrees.
Relatability is certainly a key component of Knocked Up’s inherent appeal.
Grey’s Anatomy and Entourage, two shows of the moment, would seem to have little in common.