Some skillful writing diverts attention from the fact that this is a rather oddly structured episode.
The fact that it stumbles so badly doesn’t bode well for this shambolic season’s looming finale.
Focusing on the clones’ familial and romantic attachments, it offers a glimmer of hope for a return to form.
It’s easy to give Shameless the benefit of the doubt, because, at its best, the show is a lot of fun.
It’s hard to be shocked by a television show when you live in a world where you feel as if you’ve seen everything.
A more accurately descriptive moniker would have been Dragonball Stagnation.
David S. Goyer’s film subsumes genuine emotion beneath mountains of pretentious aesthetics.
Now in the third episode of the new season, Lost appears to be hitting its stride.
Arie Posin’s feature debut vies, and fails, for the wide-open humanism of an Altmanesque tapestry.
Spielberg’s film is a disaster movie that loves the human race.
The film is little more than a camp primer for the Huggies Pull-Ups crowd.
A sick joke that should make strange bedfellows between pederasts and the insipid demographic that keeps Anne Geddes’s paper stacked.
Four not-so-probing documentaries highlight this Taking Lives DVD, which should appeal only to fans of Angelina Jolie’s boobies.
This umpteenth serial killer procedural opens with a prologue fully acclimated to the motifs of its inspiration.