Despite the variety of tasks to manage throughout, there are remarkably few ways in which to handle them.
Throughout the film, director J.A. Bayona draws on the childlike fear of things that go bump in the night.
The comedic lengths the game goes to make the series’s trademark wanton cruelty palatable is impressive.
It can’t tell whether it wants to be junk food or not, lovingly poking fun at some Hollywood tropes while shamelessly indulging others.
Tati and Godard would undoubtedly be amused with the August traffic jam Hollywood has made for itself.
Monstrosity, terror, and horror all correspond in some way to chaos in its old-fashioned sense and with chaos in its scientific sense.
Now a 20-year-old antique slapped with a superfluous 3D transfer, Jurassic Park still has the power to amaze.