The film is content to blandly shrug in the direction of an amorphous societal choas.
George Clooney’s and Julia Roberts’s undimmed charisma brings enough grace notes to Ticket to Paradise that you could easily be taken in by its low-stakes frivolity.
Ben Is Back is more unpredictable and slyly entertaining than its earnest-sounding premise might suggest.
Homecoming’s visual ambition is complemented by its intellectual curiosity.
The film reinforces the idea that it’s the job of those with disabilities to inspire the jerks of the word to be nicer.
It’s content to be the sort of film parents can throw on an iPad to ensure 90 minutes’ worth of relative peace and quiet away from their antic children.
Jodie Foster manages the interlocking tones of outrage with an unfailing rhythm and an engagingly casual cynicism.
The film makes everyone’s lives nothing but the blank spots in fate’s big book of Mad Libs.
As was recently reported by the hive of Oscarologists over at Gold Derby, American Hustle has history on its side when it comes to the acting races.
So who else gets screwed?
What works about the film can largely be attributed to Tracy Letts’s original text.
Streep has earned kudos for a performance that’s fine, but not stellar when measured against her better work.
The relative quality of generational family abuse, a prominent motif in the play, comes through loud and clear.
The poster for August: Osage County would have been an event no matter what it looked like.
We’ve rounded up 15 movie weddings that—aw, hell—take the cake.
The story of Rosario Dawson’s discovery speaks to her enduringly cool credibility as an actress.
Jennifer Lawrence is taking a page from Mo’Nique’s book and playing the campaign game by her own rules.
The film’s strongest bit of buzz has been swirling around the lead performance from Naomi Watts, whose tortured turn as the quintet’s mother hen has made her a Best Actress frontrunner.
From L.A. to Vegas to Thailand, the stops on our list boast some very memorable hotels, which vary in their abilities to accommodate, relax, and terrify.
Whatever spurred Twilight Time to commit Steel Magnolias to a 3,000-disc run, the results look generally pretty good.