Eccentricities of a Blonde-Haired Girl is one of Manoel de Oliveira’s more banal inquiries into the objectification of women in life and in art.
There’s little of substance here beyond a slightly pleasurable twinge of recognition.
Manoel de Oliveira is someone Luis Buñuel actively rebelled against: an aesthete.
You’ll laugh, you’ll cry, but you may also fall asleep.