The film suggests a fusion of an eco-doc and acid western, and this disparity between genres results in a mysterious tension.
The film’s approach to exploring the Sonoran Desert and topic of immigration often veers toward the avant-garde.
Though it doesn’t elucidate any broad structural motive, it gradually adopts an engrossing rhythm among its clatter of steel and ambient chatter.
Andrew Cividino’s short film Sleeping Giant shares The Dirties’s themes of bullying and peer pressure.
Nailing the feel of a place through precise lighting isn’t a problem for South Korean auteur Hong Sang-soo.
Aesthetically, People’s Park continuous long take presents a gentle comment on cinema’s relationship to a people’s history.
The film is a well-mixed assemblage of cacophony, rain, and detritus set in the Willet’s Point neighborhood of Queens.
Véréna Paravel and J.P. Sniadecki’s Foreign Parts is a lovely and detailed visual elegy.