Review: Battle of the Year

Remarkably, the highlight of Benson Lee’s film, essentially a fiction reboot of his Planet B-Boy, isn’t the scene where Chris Brown gets punched in the face.

Review: Red Dawn

It feeds the warrior fantasies of adolescent boys with a testosterone-heavy tale of a war free of moral complications.

Review: ATM

Horror films set in confined locales require airtight logistical construction, and ATM comes up short on that front.

Review: What Goes Up

What Goes Up’s point that Americans create icons to fulfill their own screwy needs is made through contrived and nonsensical plotting.

Review: Special

Hal Haberman and Jeremy Passmore’s story is fit for a 15-minute short rather than a feature-length narrative.

Review: The Wackness

It delivers a rather predictable indie coming-of-age narrative, and Levine’s music video-ish sentimentality doesn’t help alleviate such familiarity.

Review: Mean Creek

Mean Creek slots itself nicely in that catalog of macabre coming-of-age stories like River’s Edge and Stand by Me.

Review: Spun

The lack of narrative sobriety and the director’s shallow stylistic copycatting are the film’s ultimate undoing.