The Hulu series plays like an exceptionally late attempt to catch the long tail of meta sitcoms.
To see the old-timers pass the torch to their acolytes cements the improbable importance of Jackass in American pop culture.
The film has the knowing swagger of something on the cutting edge but none of the self-awareness to realize it’s late to the party.
Jonas Åkerlund’s film gives viewers two well-worn assassin narratives for the price of one.
The title Weightless is an apt description for this stylish but emotionally inert film.
The film displays a sprightly tone and blissful sense of liberation in charting the exploits of characters seeking to live by their own feminine-centric rules.
Its bloated action-comedy machinery prevents any real chemistry from forming between Chan and Knoxville.
Liza Johnson’s film is generally taken with comfy gags that celebrate these men’s ownership of pop culture.
A film so overworked to ensure mass-market appeal that it loses the charming oddness and loose goofiness that has allowed these characters to endure.
One of my favorite things about recalling my movie-watching past is considering the ways I viewed certain films through younger eyes.
A choppy, feature-length progression of crude, predictable gags, it plays like a variety show, and yet its main attraction is barely funny enough to warrant his own brief sketch.
Disappointing supplements notwithstanding, this release of the under-seen The Last Stand does well by a film that’s proud to be small.
Allegedly containing the largest cast in history, Movie 43’s cornucopia of A- and B-listers never come together as a true ensemble.
Kim Jee-woon makes savvy use of Schwarzenegger as both a newly world-weary figure and, more frequently, the ever-reluctant hero.
Do you remember weekends in nature with the Boy Scouts? If so, you’re increasingly in the minority.
Fun Size may not age as well as the Beasties’ music, but for waggish Halloween kicks, it’s pretty close to a sure shot.
The film wears its convictions about deception, creativity, and the importance of being a really good daddy on its shopworn sleeves.
Radical body humor remains the chief focus in the third installment of the highly divisive Jackass series.
The 3D format is stupid, and Jackass is stupid, so Jackass 3D should be a marriage made in stupidity heaven.
You’ve got to give it to the Jackass crew: Their commitment to their crass craft is awe-inspiring.