Throughout, John Krasinski seems to be in his comfort zone when staking tension on the importance of family and legacy.
The occasionally thrilling series relies on generic action cribbed from other, more distinct espionage fiction.
Despite humanizing its characters, Jack Ryan is mostly interested in a broad battle between good and evil.
Paramount’s fine-tuned Blu-ray should be an essential addition to the libraries of horror fans and audiophiles alike.
The film turns the act of survival into a powerful statement of defiance against the vagaries of the unknown.
Kathryn Bigelow hyper-realistically covers her ensemble’s actions in the manner of a somber disaster film.
It’s neatly organized around not only the changing of the seasons, but a Disney-branded circle-of-life ethos.
The film’s ruefully honest tone is periodically drowned out by the blare of stagey coincidences.
De Silva discusses his experience establishing a career as an actor in his adopted country.
There’s something to be said for Michael Bay’s turn to less expensive films after crafting quarter-billion-dollar toy commercials for the better part of a decade.
A consummate sampler platter of the bounty of state-of-the-art animation currently available as alternatives established major-studio house styles.
After a while, the film’s sing-a-song-for-the-world vibe, so buoyantly optimistic at first, becomes grating and smug.
Promised Land evinces a pleasing but self-consciously torpid sense of the everyday.
Having a cast full of good guys doesn’t have to stifle conflict, but it does so here.
Any goodwill the film boasts is terminally suppressed, buried beneath a layer of bullshit as thick as blubber.
Well, it was nice while it lasted.
Slaves to money and then we die, indeed.
Cluelessness is characteristic of this latest assembly-line rom com.
Is it possible for John Stamos to replace Charlie Sheen on Two and a Half Men?
Never mind that the stars are spectacularly misaligned.