It’s a testament to the immersive performances of its two leads that the series manages to bring its titular iconic figures to life.
Blanchett’s famously steely face becomes unrecognizable in the video for the trip-hop band’s new song.
The film arrives prepackaged with suggested comparisons to Heat that it never earns because of its dreary literal-mindedness.
Lawless is a compellingly nutty and uneven gangster film.
If there’s any import to Lawless, it’s in the visual inversion of small-town myths.
Hillcoat’s latest cements the mainstreaming of an original.
The Avengers will assemble for what may be the most overstuffed tent-pole ever, and Katy Perry will unleash the first movie that could actually give you cavities.
A muddled vision, but one anchored by fiercely convicted performances by Viggo Mortensen and Robert Duvall.
For the most part, I found myself almost mechanically checking off the major scenes as they happened.
The set pieces largely convey the same feelings as the novel’s, but screenwriter Joe Penhall’s adaptation has a patronizing way of spelling out their significance.
Hillcoat’s film is a conflicted elegy for a brutal past.
John Hillcoat and Nick Cave envision civilization’s encroachment into the wild as necessitating an abolishment of coarse impulses