John Curran creates room for his characters to think and feel and an environment that encourages us to do the same.
One need go no further than the first segment to grasp how little interest the anthology series has in generating chills from the lo-fi.
The feminist bent of Robyn’s quest nicely shadows the John Curran’s film without ever being stated aloud.
The Telluride Film Festival is the home away from home for cinephiles the world over.
Mahatma Gandhi is—and always has been—many things to many people, but a sex symbol?
The film examines the divide between ethical uprightness and moral bankruptcy with dreary ponderousness.
A beautiful, fitfully successful film with another compelling Casey Affleck performance.
Casey Affleck executes an uncondescending, chilling turn as the methodical, coal-hearted Lou Ford.
The Painted Veil is more or less from the school of motion picture that Pauline Kael used to say “reeks of quality.”
Ignore We Don’t Live Here Anymore’s literary pretence and focus on its truly remarkable performances.
The movie is an ensemble piece but, make no mistake, this is Laura Dern’s show all the way.