Cox’s punk western has been dug up from the dregs of oblivion by Kino and handsomely given a long-overdue director’s cut Blu-ray treatment.
Straight to Hell Returns is a screwy and unsound blast.
There’s little doubt that Mystery Train is Jarmusch at his most emotionally forthright.
If you don’t know Mick Jones from Steve Jones then you’ve no business watching Julien Temple’s film.
By the end, it’s hard to pin down the intent and even the honesty of the filmmaker.
Sure, the film is about change, but did new culture come from Glastonbury, or did Glastonbury adapt to the culture?
The film is a very sharp critique of a self-congratulating subculture that celebrated inarticulateness and clad itself in swastikas.
Rude Boy belongs in every Clash aficionado’s collection.
A grassroots punk rock tribute to the late punk icon, Joe Strummer, at New York City’s premier underground venue, CBGB’s. What could be more fitting?