Review: Elysium

Neill Blomkamp strides closer to the muscular, subversive genre terrain of Carpenter and Verhoeven.

Review: Carnage

Intentional or not, the sly punchline to Roman Polanski’s Carnage calls bullshit on Michael Haneke’s Caché.

Review: The Beaver

Most depressing about the film are the learning-and-growing climaxes predictably expunging all of the material’s dark implications.