Throughout, Diane Nyad is defined almost exclusively by the adversity over which she triumphs.
Kino’s UHD upgrade of The Silence of the Lambs presents the film at theatrical-grade quality.
Kevin Macdonald’s film never captures the spectrum of a life lived in unimaginable extremis.
Its future setting is an empty pretext for a banally convoluted and sentimentalized show of emotional restoration.
Foster discusses her relationship to genre films and the alternate lives she kicks herself for not having led.
Criterion superbly refurbishes one of the most disturbing and least conventional love affairs in the history of cinema.
Jodie Foster manages the interlocking tones of outrage with an unfailing rhythm and an engagingly casual cynicism.
The book takes a subtle stylistic turn in its second half that might bear quasi-meta significance.
Neill Blomkamp strides closer to the muscular, subversive genre terrain of Carpenter and Verhoeven.
If there’s anything to deride about Jodie Foster’s show-stopping moment, it’s that it felt dated, dusty, even quaint.>
It’s hard to discuss the Oscar chances of the cast without thinking of all four fuming co-leads as being yet more hamsters on the Academy’s wheel.
The most striking thing about Carnage is how much funnier it is than its source material.
Intentional or not, the sly punchline to Roman Polanski’s Carnage calls bullshit on Michael Haneke’s Caché.
Most depressing about the film are the learning-and-growing climaxes predictably expunging all of the material’s dark implications.
A high-water mark of American cinema gets its due treatment on this luxurious disc. No respectable collection should go without it.
Where do collective memories come from? From faded photography, and skewed reviews?
James Gunn is uninhibited about juxtaposing different tones and styles together in Super.
Travis Bickle is God’s lonely man, but at the end of the day, aren’t we all?
The only wonder eventually elicited by Nim’s Island is of a mystified variety.
The Brave One reduces our experience of the world with its drab and unimaginative aesthetic presentation.