The film is an impressively complicated and compassionate drama about shame and desire.
The Man Who Fell to Earth fails to recognize the key to the power of its source material: its peculiarity.
Pachinko is an artfully staged and detailed historical epic that details one family’s experiences across generations.
Unhinged is essentially a nihilistic, style-free destructo-rama that’s designed to make us feel like shit.
Even after the film (quite entertainingly) explains itself, it never feels like more than a howl of frustration and cynicism.
In terms of scale and narrative ingenuity, Wormwood is as staggering as any Errol Morris film before it.
Hap and Leonard’s absurdly, effectively pregnant atmosphere will be familiar to those who’ve seen Jim Mickle’s films.
The show’s writing feels wrapped up in hitting plot points and story beats rather than seeking out moments of violent personal revelation.
Vampire Hunter feels like a flashy corpse largely drained of its comedic lifeblood.
Shawn Levy’s direction is slapdash and stolid, but it’s the material that’s truly busted.
Fans of a cult show like It’s Always Sunny in Philadelphia deserve more robust extras than what’s offered here.
This is one of the worst looking discs we’ve seen from a major video distributor in years.
Prepare to feel cheated.
It’s easy to imagine a better Herbie: Fully Loaded had Grace Jones’s “Sex Drive” blared during the film’s racing sequences.
Despite being affectionately known as the Love Bug, Herbie is more of a horny pest in Herbie: Fully Loaded.
Save yourself the trouble: Skip D.E.B.S. and rent Pootie Tang instead.
This one may be only for Stephen King’s most fanatical followers.