The film feels composed of burnished, often blackly funny, fragments of erratic memory.
The flimsy extras verge on making this a barebones release.
One of the most ambiguous, neurotic, and disturbing of all American films receives a revelatory new restoration.
Ken Loach’s staging is so calm and sober that it turns his story into an expertly photographed yet weirdly remote rebellion tale.
Louie is akin to Seinfeld in its view of a privileged life constantly swayed by the particulars of Manhattan geography.
Fox gives Peckinpah’s ferocious near-masterpiece a killer visual/audio upgrade.
There’s something poignant about Louie, the new FX series starring drolly despondent standup comic Louis C.K.
The Eclipse is a much duller tale than its Irish literary festival setting would suggest.
From “the studio that brought you the Academy Award-winning Life Is Beautiful” comes another Holocaust movie that you’re sure to love!
The film is at once too historically removed from its subject and too hysterically committed.
Driving Lessons is the type of movie that makes you want to single-handedly dismantle the British film industry.
Perhaps the man could stand to learn from the Last Testament and fight fire with fire.
Oyster Farmer becomes something of an afterthought, but it’s a lovely excursion while it lasts.
Straw Dogs deservedly gets the deluxe treatment from the always-exceptional Criterion Collection.
As Straw Dogs makes clear, the consequences of enduring a violent rite of passage is ultimately suffering and alienation.